Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts

Saturday, June 05, 2010

New Yorker unveils '20 under 40' young writers list

New Yorker
 

New Yorker editor David Remnick said the list was “meant to shine a light on writers and get people to pay attention". Photograph: Harry Bliss/AP
 
Martin Amis, Ian McEwan and Julian Barnes made a list of the best young British novelists in 1983; David Foster Wallace, Jhumpa Lahiri and Jeffrey Eugenides were named among the best American writers under 40 in 1999. Now the New Yorker has selected the 20 young writers it believes we'll be reading in years to come, with Jonathan Safran Foer, Chimamanda Ngozi Adichie, Joshua Ferris and Wells Tower all making the cut.

The eminent American literary magazine will publish the '20 under 40' fiction writers it believes are worth watching in its Monday issue. Ranging from the 24-year-old Téa Obreht, whose debut novel will be published next year, to the 39-year-old writer Chris Adrian, the list is an eclectic mix of famous and lesser-known names, neatly dividing between the genders and providing readers with a guide to potential future literary stars.

The list, compiled by the magazine's fiction team, is restricted to writers who are from or based in north America.

"I was a boy when my family left the Soviet Union," said the award-winning Canadian author and filmmaker David Bezmozgis, 37. "We came to Canada with nothing and my parents had never heard about the New Yorker or most anything else. It seems strange and remarkable to me that 30 years later I would find myself on such a list.

"But then, it seems that a number of writers on this list are from somewhere else. So I suppose it means that the trend in American life is being reflected in new American writing."

New Yorker editor David Remnick said the list was "meant to shine a light on writers and get people to pay attention". "What matters is that someone pays attention to a writer they might not have known, and that they read – that's all I want."

36-year-old Philipp Meyer, whose debut novel American Rust was published last year, said it was "enormously validating" to be chosen by the New Yorker – though he admitted that such an exercise "seems very useful when you're the one picked, but if you are not picked, you need to ignore it completely."

Some acclaimed American writers just missed out by dint of age; Dave Eggers is 40, Aleksandar Hemon 45, Colson Whitehead 40.

"It's disappointing they didn't manage to find a space for Dave Eggers but I suppose that's their rules," said the Booker-shortlisted British author Philip Hensher, who was picked as one of Granta's best young British novelists in 2003, at the age of 37. Although he admitted that it made his publishing career "a bit easier overseas", he did feel that "these age-related things are a bit artificial".
The New Yorker list might include 10 women, but Hensher said that in general such line-ups can be "rather unfair to women novelists".

"There's a well-known phenomenon of the woman novelist who puts off her career, maybe to have children," said Hensher, "so she doesn't really make an impact until after she's 40 … a good example is Penelope Fitzgerald, who only emerged about five years before the first Granta list, and of course she was 60."
He suggested it might make more sense to select the authors "who have just emerged in the last five years", rather than basing it on age. "Novel writing isn't necessarily something that young people are very good at," he said. "I was 29 when I published my first novel, but I wish I'd waited."

Ben Okri, who won the Booker prize aged 32 for The Famished Road, said he felt lists like the New Yorker's could be "pretty dangerous".

"They're very helpful for writers and they are encouraging, and can identify future talents, but on the other hand sometimes they're too soon," said the author at the Guardian Hay festival.
"We will see in 10 years' time [how these authors have fared]. What matters is not the list but that mystical quality called genius – and a bit of luck."

Beijing-born Yiyun Li, who like two other authors on the list – Jonathan Safran Foer and Dinaw Mengestu – won the Guardian First Book Award, praised the New Yorker for including a host of short story writers in its line-up. "[That] means a lot to me, as I love stories, and it is always encouraging that The New Yorker treats stories and story writers seriously," she said.

The top 20

Chimamanda Ngozi Adichie, 32
Chris Adrian, 39
Daniel Alarcón, 33
David Bezmozgis, 37
Sarah Shun-lien Bynum, 38
Joshua Ferris, 35
Jonathan Safran Foer, 33
Nell Freudenberger, 35
Rivka Galchen, 34
Nicole Krauss, 35
Dinaw Mengestu, 31
Philipp Meyer, 36
C  E Morgan, 33
Téa Obreht, 24
Yiyun Li, 37
ZZ Packer, 37
Karen Russell, 28
Salvatore Scibona, 35
Gary Shteyngart, 37
Wells Tower, 37
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Monday, February 15, 2010

A Word on Awards

With the recent announcement of the National Book Critics Circle Award finalists, I thought the time might be ripe for a brief discussion of literary awards.

Some of you may have wondered, in the process of querying various agents, when and whether it's appropriate to mention any awards you might have won for your writing. Since I don't have time for an awesome flowchart, I'll just give you a few general "Do"s and "Don't"s:

Do:

· Mention any significant awards you've won for your writing (anything from placing in contests judged at conferences to Pushcart Prizes). Obviously if you've won a National Book Critics Circle Award, a Pulitzer Prize, a Hugo, an Edgar, &c, list it. (Although quite honestly, if you have, you probably already have representation.)

· Mention any significant awards you've won for things outside your writing so long as they're relevant to your topic. (E.g., if you're writing a medical memoir, mentioning your professional qualifications and awards is not only germane, it's expected.)

· Mention any previous publications you have, excluding self-published work or work published in a magazine or anthology for which you make editorial decisions. Try to stick to short stories (mentioning where your poetry or journalism has appeared might be helpful if they're really well-known markets, but otherwise, it's just superfluous). Note: if you're submitting non-fiction, any non-fiction or journalistic credits you've got are fair game.

Don't:

· Mention any writing awards that are not a big deal. This includes that ninth-place award you got in your hometown (population: 200) newspaper for your short story about a cat and a dog who become bros despite the biological and social forces working against them.

· Mention any writing awards you won as a child (unless you are still a child or that award is a big deal; see above). No one cares that you got a "Most Thoughtful Essay" award in fourth grade for your three-paragraph treatise on Betsy Ross.

· Try to trick the agent. (Fun fact: everyone in the industry knows that anyone with $50 can nominate themselves for a Pulitzer. Telling us you're nominated won't fool us.)

· Mention where you earned your undergraduate or graduate degree(s), except maybe an MFA, and even then, be judicious. Agents are interested in your book, not the school(s) you attended. (This is not the case if your professional credentials are part of your platform; see above.)

In short: if you've won an award or otherwise earned some kind of recognition that you believe sets you apart from 90% of the crowd, include it. Otherwise, don't put it in your query; when push comes to shove (and it will, gentle authors), agents and editors only care about your novel and your willingness to promote it (in that order). No more, no less.
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